"Green Cyber Demonstration": World Solidarity with the Iranian Protestors


One aim: unite the world’s citizens of all origins, nationalities and horizons who believe in democracy and Human Rights, and who wish to express their support for the pro-democracy movement in Iran.

This initiative is completely independent, non-political and non-religious.

How to participate

- Join our group on facebook, flickr, add us on twitter & myspace

- make our logo your profile image on these social websites

- write a message of support as your headline & on our page(s)

- inform & send links to your friends & contacts

- write about this event in your blogs & websites, feature our image & add a link to us

- contribute to our webpage with comments, slogans, photos/videos/songs etc.

Facebook group: WWIran Facebook group
On twitter: WWIran Twitter
Myspace page: WWIran Myspace
Downloadable images on flickr: WWIran Flickr profile
Flickr group: WWIran Flickr group
YouTube Channel: WWIran YouTube

How you can make a difference

The pro-democracy protestors in Iran are isolated and vulnerable. A strong turn-out here is a means for us to support them in their battle & remind governments & official international bodies around the world to act in the best interest of these freedom-fighters.Iran has ratified both the Declaration of Human Rights (signed 1948) and the Nuclear Non-Proliferation Treaty (signed 1968). Let us show the world that human dignity and Human Rights are values that transcend frontiers, and that our leaders should use as much energy in defending Human Rights as they do the nuclear issue.

“A dictatorship is more dangerous than a nuclear weapon.”


As a result of the fraudulent Iranian presidential elections of the 12th of June 2009, millions of people took to the streets of Iran to protest against Mahmoud Ahmadinejad; demanding a new and democratic election. These brave protestors, comprising all generations, demonstrated pacifically but faced harsh repression from government forces resulting in beatings, deaths, arrests, torture, forced confessions and mock show-trials. Despite this repression, the protest movement has continued to grow and is known as the ‘Green Movement’ (read below: ‘Why Green?’). In spite of this repression, the pro-democracy protestors in Iran have continued their mobilisation; taking to the streets, infiltrating official marches and finding new means to express themselves such as via the internet - despite the huge risks, including for their lives (two young men arrested before the elections, Reza Ali Zamani and Arash Rahmanipour, were executed on the 28th January 2010, with more feared).

Why Green?

Green is the symbolic colour under which the pro-democracy protestors march in Iran - it is traditionally the colour of hope. Although the colour of the presidential candidate Mussavi in June’s fraudulent elections, the protestors have since made this colour their own and are commonly called the ‘Green Movement’, which has grown to become a spontaneous independent citizen’s movement demanding democracy for Iran. Green is now the colour of all those who march for democracy in Iran.

Tuesday, 2 March 2010

World Press Photo Prize Winner 2010

SPIEGEL ONLINE interview with World Press Photo Winner Pietro Masturzo
Der Spiegel Online, 23 February 2010

'You Don't Have to Risk Your Life to Tell a Good Story'

Pietro Masturzo

Italian freelance photographer Pietro Masturzo, 30, won the prestigious World Press Photo prize for his picture of women taking part in night-time protests on a Tehran rooftop. He talks to SPIEGEL ONLINE about the risks of the job and defends himself against accusations that he was a coward for not photographing the street demonstrations.

SPIEGEL ONLINE: After the Iranian elections in June 2009, there were demonstrations and riots almost daily on the streets of Tehran. Why did you photograph the rooftops rather than the action on the street?

Pietro Masturzo: There were no other options. Three days before the election I was arrested, along with another Italian colleague. After I was released it became clear to me that it was extremely dangerous to report further from the streets of Tehran.

SPIEGEL ONLINE: Why? What had happened?

Masturzo: I traveled to Iran -- a country that had fascinated me since I was a student -- as a tourist. Arriving there one week before the elections, I knew I had to be careful because it could be dangerous to be on the streets taking pictures without a journalist's visa. But as a photographer I am happy to forget about those sorts of dangers.

SPIEGEL ONLINE: What happened when you were arrested?

Masturzo: One evening before the elections I was with some colleagues on Valiasr Street. We were taking pictures of supporters of (opposition leader Mir Hossein) Mousavi in front of a large poster of the Ayatollah Ruhollah Khomeini. Suddenly a number of Basij, the state-controlled volunteer militia, roared up to us on motorbikes. These men asked us what we were doing and why we were taking pictures, then took us to the police station. There they checked out our equipment and confiscated our digital memory cards. They questioned me non-stop: Who was I? Why was I making propaganda against the Islamic Republic? I tried to convince them that I was a tourist and that I was traveling on to (the popular tourist destination of) Persepolis the next day.

SPIEGEL ONLINE: You said you were held by the authorities for three days. Did you have to sleep in a cell?

Masturzo: At that point my colleague and I were staying in a hotel. The Basij brought us back to the hotel every night, then picked us up again at seven in the morning to take us to various police stations. After three days we were freed, without charge.

SPIEGEL ONLINE: What happened later, on the rooftops of Tehran?

Masturzo: During the days before the election I had got to know a lot of people on the streets of Tehran, from different parts of the city and from all levels of society. A few invited me to spend the night with them, something that is not unusual in Iran. After I was freed, I started to spend every night with a different family. That first night after the election, I began to hear the call of "Allahu akbar" ("God is great"). With this nightly call, the people were protesting against the fraudulent election results and against the brutal tactics used by the state security forces.

SPIEGEL ONLINE: Did you know immediately that this form of protest would make a good subject for photography?

Masturzo: Yes, even that first night I was certain of that. The family I was staying with spent half the night talking about the highly symbolic meaning of that call. They talked about the Islamic revolution 30 years previously and how, back then, the call of "Allahu akbar" was a form of civil disobedience against the regime. I decided to make a series of pictures about that topic.

SPIEGEL ONLINE: Did the people you were photographing know you were taking pictures of them?

Masturzo: Often they didn't. The ones who did know I was taking their pictures asked me to make sure they wouldn't be recognizable in the pictures.

SPIEGEL ONLINE: What were the circumstances around the photo that won you the prize?

Masturzo: It happened on one of the first evenings after the elections, when the pressure on the streets was almost unbearable. I was staying with a family in a very conservative working class neighborhood of Tehran. As I did every evening, I went onto the rooftop to look for photo opportunities and on the roof opposite, I saw these three women in very traditional dress. They were calling on God in protest against the results. I found a good position, where I could keep the camera stable and took the picture using a long exposure.

SPIEGEL ONLINE: Were you able to speak to the women?

Masturzo: No, I never found out who they were. I don't know if I could even find my way back to the roof from which I took the picture.

SPIEGEL ONLINE: In Iran the decision to award you the prize for World Press Photo of the Year has been controversial. Why?

Masturzo: There has been a lot of criticism on various Web sites that I got the prize for taking a picture on the rooftops while other people were risking their lives to show the riots on the streets. A lot of young Iranians who photographed the riots on the streets under conditions of great danger objected to this. For instance, one young photographer sent me an email suggesting that I only got the prize because I am a Westerner.

SPIEGEL ONLINE: Does this upset you?

Masturzo: Photography can be debated and there should be no limits on that debate. Iranian colleagues certainly risked more than I did; they put their lives at risk. But when you're telling a story, you also need to use your wits. I believe you don't have to risk your life to tell a good story. I just had a good idea, that's all. During the demonstrations in Tehran I saw a lot of people with cameras. But when I looked at their photos later on the Internet or on television, there were none of the rooftops. Anyway, I also got a lot of support -- a lot of people thanked me for showing a different side of Iran.

SPIEGEL ONLINE: Will your life change now that you have won this prestigious prize?

Masturzo: Up until now it's been hard to make a living as a freelance photographer. I am hoping that it will get a little easier.

Interview conducted by Ulrike Putz

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